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Diana Benavídez

  • About
  • Exhibitions
  • Work
  • CV
  • Contact

La Frontera

Soft Piñatas: An Unexpected Result

Vehiculos Transfronterizos

R/C Piñata cars, 2019

Text Me When You Get Home.

Text Me When You Get Home explores habits and rituals adopted by women in response to the threat of lurking predators in public spaces. Here, piñatas depict everyday objects transformed into weapons of self-defense and we investigate casual rituals embraced as a form of protection against sexual harassment and violence.

2022

Even Guadalupe Needs a Break

La culpa por estar hecha de papel

La Culpa Por Estar Eecha de Papel, 2020
[The guilt for being made of paper]

Dimensions: 12’ x 6”

Popup installation

2018

Popup installation at Liberty Station | San Diego, CA

"EL AMOR ES LA COSA MAS TRISTE CUANDO SE ACABA, DICE UNA CANCION DE JOMBIN" - MARCO

HABLE CON ELLA PEDRO ALMODOVAR

The Piñata Drone

The piñata drone
10” x 11.5”
Cardboard structure with 4 dc motors wired and powered by electricity.

Projection: People in Mexico interacting with a fence along Playas de Tijuana/Imperial Beach border.

Projection Mapping on Piñatas

2019

“We have broken our planet to the extent that it is no longer capable of rewarding us with its natural magic.” By utilizing the piñata as a method to convey stories and messages, Diana Benavidez reflects on the current Anthropocene epoch. Through the use of projection mapping techniques, video collages of local landscapes are projected onto a traditional six-star piñata which present unique patterns caused by irreversible human activities.

Anti Time Capsule

Anti Time Capsule
2017


Collaboration with a Parkeology public art event.
Photography by Rafa Rios

Ni Puta Ni Santa

Ni Puta Ni Santa
2018

Asking For It

Asking For It
Adam D. Kamil Gallery, UC San Diego
2016

Raised in Chula Juana

Raised in Chula Juana
2015

The Piñata As A Narrative

In this body of work, Diana Benavidez introduces the piñata as a method for storytelling, expression, and reflection. Benavidez shares her personal narratives by manipulating physically and conceptually the piñata through the incorporation materials not commonly found in traditional piñatas. Through the use of color, scale, and text, this popular Mexican art form is transformed into a contemporary art practice that explores mental states and emotions. 


Closing Ceremony

Closing ceremony September 4, 2019


Community members were invited to bring poems, flowers, love letters, candy to help fill the piñata.

Poems and love letters collected were read out loud at the end of the ceremony.

La Frontera

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Soft Piñatas: An Unexpected Result

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Vehiculos Transfronterizos

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benavidaz-piñatas-11.jpg

Text Me When You Get Home.

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Even Guadalupe Needs a Break

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La culpa por estar hecha de papel

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Popup installation

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The Piñata Drone

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Projection Mapping on Piñatas

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Anti Time Capsule

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Ni Puta Ni Santa

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Asking For It

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Raised in Chula Juana

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The Piñata As A Narrative

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Closing Ceremony

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